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Robben Island prison in South Africa held thousands of black political prisoners, including Nelson Mandela, who opposed apartheid. This study reconstructs the inmates' resistance strategies to demonstrate how they created a political and social order behind bars. Although survival was their primary goal, challenging apartheid was their ultimate objective. Robben Island was continually transformed by its political inmates into a site of resistance, despite being designed to repress.

Robben Island prison in South Africa held thousands of black political prisoners, including Nelson Mandela, who opposed apartheid. This study reconstructs the inmates' resistance strategies to demonstrate how they created a political and social order behind bars. Although survival was their primary goal, challenging apartheid was their ultimate objective. Robben Island was continually transformed by its political inmates into a site of resistance, despite being designed to repress.

Sometimes it's hard to keep looking up at the stars when the gutter we're in seems so full of sh*t. But isn't that why we need poetry? Oscar Wilde wrote some of his best poetry when he was in prison for 'the love that dare not speak its name'. Nelson Mandela held fast to his 'unconquerable soul' on Robben Island with the help of the words a poet wrote about his battle with tuberculosis a century before. So maybe it's not inconceivable that the words in this little book could help you put some of the sh*t in perspective, get all the important bits of your life - like sleep, work, food, travel, love and learning - in some kind of balance, so you can go back to star-gazing again . . . Taking as its starting point the classic 'wheel of balance' life-coach model, this beautifully packaged collection of extracts and short poems gathers wisdom old and new in a perfect gift for anyone who needs comfort in this f**ked up world of ours.'This is not a poetry book as you know it, this is a life raft.' Emerald Street on Poems for a World Gone to Sh*t.

Having left South Africa at the age of four as a political refugee with his parents, photographer Koto Bolofo returned to his home country with his wife in 1992, two years after Nelson Mandela had been released from prison. Bolofo got free access to the notorious and by now deserted prison of Robben Island, where Mandela had been held for the majority of the 27 years of his confinement in a cell of barely 20 square feet in Section B. The photographer and his wife eagerly began documenting the site's abandoned interiors and surroundings, dreading the prison's potential closure. Meanwhile, it was converted into a well-frequented museum in 1997 and included on the World Heritage List by UNESCO in 1999. The black-and-white photographs of this volume conspicuously favor close-up depictions of details as opposed to general views: leftover items, barbed wire fences, spacious dormitories viewed through a spyhole, the key in the lock to Mandela's cell (which is so tiny it cannot be taken as a whole)--all this is conveying the gloomy sense of claustrophobia and suppression that characterize the place. The camera is constantly searching for the few rays of light that penetrate the ubiquitous grimness and silence of cruelty.

Nelson Mandela's autobiography was begun in 1974 while he was a prisoner on Robben Island and finished many years later, under very different circumstances, when he was President of South Africa.

Many of the photographs are as familiar as they are iconic: Nelson Mandela gazing through the bars of his prison cell on Robben Island; a young Miriam Makeba smiling and dancing; Hugh Masekela as a schoolboy receiving the gift of a trumpet from Louis Armstrong;  the Sophiatown removals; the funeral of the Sharpeville massacre victims ...Photographer Jürgen Schadeberg was the man behind the camera, recording history as it unfolded in apartheid South Africa. His empathy for the displaced, the persecuted and the marginalised was already deeply rooted by the time he came to South Africa from Germany in 1950 and began taking pictures for the fledgling Drum magazine.Schadeberg’s first-hand experiences as a child in Berlin during the Second World War are vividly told. As the only child of an actress, who left her son largely to his own devices, Schadeberg became skilled at living by his wits, and developed a resourcefulness that stood him in good stead throughout his life. With some luck and a great deal of perseverance, he was able to pursue his interest in photography in Hamburg, undergoing training as an unpaid ‘photographic volunteer’ at a press agency, then graduating to taking photos at football matches.After two years, Schadeberg made the decision to travel to South Africa. He arrived in Johannesburg on a cold winter’s morning. He had a piece of paper with his mother’s address on it, his worldly possessions in a small, cheap suitcase on the station platform beside him, and his Leica camera, as always, around his neck.

Poetry written by Brutus on his experiences as a political prisoner on Robben Island off Cape Town.